So many things are changing in and around my studio. The City of Barre has torn down the building next door. I used to look out my windows at the roof of that building, but now there's a big open lot. Just two years ago the roof was resurfaced, and today they were filling in the huge hole that was once the foundation and basement. What a strange use of resources. SPA may make a sculpture garden there while the city figures out what to do with the site (and gets the money to do it).
So here's the main area of the studio. You can see Preaching the Gospel (subject of a post below) at the right. Plus I have re-worked the big wall piece called Dots that uses disks in a steel frame, adding more layers.
Here's a detail shot of it. I've made the additional disks and buttons applied to the surface stand out with metal spacers, trying to get more depth. Georgia Landau thinks the disks (such as the one in the second row down on the right) with painted concentric circles are distracting and not mellow or restful like the feeling of the rest of the piece. I kind of agree with her, so I may remove them, but I'll have to drill and paint up more monochromatic disks, and I'm not wanting to do that right now. You can compare this to a similar piece I made several years ago (sold).
Another task I've been meaning to do is to mount one of my big polychrome fish sculptures. You can see it below, on top of the room divider. It swivels; maybe I'll make a quickie video of that. The fish is one of the pieces I have on sale in the studio during the month of December, 2010. I'm going to make a post in the next few days about the sale with the new, shockingly low prices.
On the other side of the room: I took lots of 3-D pieces off the display shelves to add them to the All Aboard piece at Flynndog, and decided to use the space temporarily to put up my Priests paintings so I can think about them and where I should go next with this work.
The workbench was sort of clean and tidy at some point in the past few weeks, but as soon as I start working on something it becomes a disaster area again.
Likewise at the front of the studio. There's always tea mess on the counter.