There's a nice review of the show by Meg Brazill in this week's SEVEN DAYS, including this about two of my pieces:
In Janet Van Fleet's "The Long Haul: Railroaded" (74 by 12 inches), two pulleys move a wooden wagon back and forth on a track leading nowhere. While Sisyphus probably found little joy in rolling a rock uphill only to have it roll back down, it is tempting to waste an afternoon moving the Cabot-based artist's haul of wooden sticks along the track. Despite the inherent futility, it's fun.
Van Fleet's three sculptures in the show combine words, images, dolls and toys into well-executed environments that beg to be touched — and, in this exhibit, they can be. In "Dialogue I," which offers a glimpse into history's underbelly, visitors open drawers to view pictures of a slave market, victims of a Nazi gas chamber, trash on a beach in Norway, and more. Two figures hover above the drawers wearing signs that read "We Are Dying and Going Away Forever" and "We Want Your House and Ours Too."
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